Georges Duroy travels through 1890s Paris, from cockroach ridden garrets to opulent salons, using his wits and powers of seduction to rise from poverty to wealth, from a prostitute’s embrace to passionate trysts with wealthy beauties, in a world where politics and media jostle for influence, where sex is power and celebrity an obsession.
You can now watch Bel Ami online on the following streaming providers in the United States.
| Writing | Guy de Maupassant | Novel |
| Directing | Nick Ormerod | Director |
| Writing | Rachel Bennette | Screenplay |
| Directing | Declan Donnellan | Director |
| Production | Uberto Pasolini | Producer |
| Production | Ildikó Kemény | Associate Producer |
| Production | Louise O'Malley | Production Accountant |
| Crew | Marc Cass | Stunt Coordinator |
| Directing | Nick Shuttleworth | Second Assistant Director |
| Crew | Jane Gibson | Choreographer |
| Camera | Hagen Bogdanski | Additional Photography |
| Camera | Robert Patzelt | Steadicam Operator |
| Costume & Make-Up | Lizzie Lawson | Hairstylist |
| Lighting | Vince Madden | Rigging Gaffer |
| Camera | Robert Patzelt | Camera Operator |
| Art | Sophie Neil | Art Department Assistant |
| Sound | Jeff Atmajian | Orchestrator |
| Crew | Phil Cairns | Unit Publicist |
| Production | Simon Fuller | Executive Producer |
| Production | Valentina Coccia | Production Coordinator |
| Costume & Make-Up | Joe Hopker | Makeup Artist |
| Art | Dean Clegg | Art Direction |
| Art | Alexandra Collins | Assistant Art Director |
| Production | Laurie Borg | Co-Producer |
| Directing | Josh Robertson | First Assistant Director |
| Costume & Make-Up | Jane Petrie | Costume Supervisor |
| Production | Jennifer Wynne | Production Manager |
| Production | Dan Whitty | Location Manager |
| Sound | Robert Farr | Sound Re-Recording Mixer |
| Camera | Stuart Howell | Camera Operator |
| Sound | Rachel Portman | Orchestrator |
| Sound | Sam Southwick | ADR Editor |
| Production | Michael Harm | Location Manager |
| Crew | Ginger Corbett | Unit Publicist |
| Crew | Lizzy Follows | Unit Publicist |
| Camera | Stefano Falivene | Director of Photography |
| Costume & Make-Up | Odile Dicks-Mireaux | Costume Design |
| Editing | Sam Southwick | Dialogue Editor |
| Production | Susie Figgis | Casting |
| Directing | Zoe Morgan | Script Supervisor |
| Camera | Stuart Howell | Steadicam Operator |
| Costume & Make-Up | Joe Hopker | Hairstylist |
| Sound | Simon Hayes | Production Sound Mixer |
| Crew | Lee Sheward | Stunt Coordinator |
| Lighting | John Colley | Gaffer |
| Sound | Arthur Fenn | Boom Operator |
| Costume & Make-Up | Jon Henry Gordon | Hairstylist |
| Production | Ceri Hughes | Associate Producer |
| Editing | Masahiro Hirakubo | Editor |
| Sound | Yann McCullough | Music Editor |
| Costume & Make-Up | Jon Henry Gordon | Makeup Artist |
| Art | Terry Woods | Property Master |
| Costume & Make-Up | Jenny Shircore | Makeup Designer |
| Directing | Tom Brewster | Third Assistant Director |
| Camera | Kerry Brown | Still Photographer |
| Art | Anna Lynch-Robinson | Set Decoration |
| Visual Effects | Stuart Brisdon | Special Effects Supervisor |
| Sound | Lakshman Joseph De Saram | Orchestrator |
| Production | Vanessa Baker | ADR Voice Casting |
| Sound | Rachel Portman | Original Music Composer |
| Costume & Make-Up | Jenny Shircore | Hair Designer |
| Editing | Neil Williams | First Assistant Editor |
| Production | Kirsty Kinnear | Casting Assistant |
| Crew | Gisela Evert | Post Production Supervisor |
| Sound | Robert Farr | Supervising Sound Editor |
| Visual Effects | Sean Farrow | Visual Effects Supervisor |
| Art | Attila Kovács | Production Design |
| Art | Mark Raggett | Supervising Art Director |
| Sound | Lakshman Joseph De Saram | Original Music Composer |
| Editing | Gavin Buckley | Editor |
| Costume & Make-Up | Natalie Humphries | Assistant Costume Designer |
| Costume & Make-Up | Lizzie Lawson | Makeup Artist |
| Sound | Ian Wilson | Sound Effects Editor |
